The Perfect Salute

All dressage tests finish with a salute on the centre line, and from Elementary level and above there’s a salute at the beginning too.

From a judge’s perspective, a nice salute and a smile leaves a positive, lasting impression on them. So if you finish with a smile and a smart salute the judge will appreciate it, and possibly write more positive comments and be more generous with the collective marks. Their final impression of you is a good one.

Someone told me years ago that you should always smile at the end of a dressage test because if it’s gone well you should show that you’re satisfied with your performance, and if it’s gone wrong then you aren’t berating yourself too much – I guess the phrase “smiling ruefully” springs to mind.

I also like to see horses and ponies getting a pat and neck scratch as a competitor leaves the arena on a long rein. Certainly it’s something I do each time I leave.

Anyway, I thought I’d share with you the tried and tested salute that I learnt as a child. It’s not flashy, being a workmanlike movement, but it means it is as at home in the show ring, dressage arena, or jumping ring.

Emphasis was put, when teaching us the salute, on not rushing it. So we had to count each step to slow us down.

Firstly, ride forwards to halt, as square as possible, but ensure you establish the halt before saluting. There’s nothing worse than a rider saluting as their horse stops. It looks impatient, suggesting you are an impatient rider.

On the count of one, place your whip and reins into one hand. In the show ring you salute with the hand nearest the judge, but in dressage most riders use their dominant hand, or the one without the whip in.

On two, drop your saluting hand down so that it is vertical, just behind your knee.

On three, give a clear nod down of the head. On four, raise the head again, smiling to the judge. Dividing the nod into two counts ensures it’s not a quick bob of the head, that could be missed by a judge blinking.

And on five, bring your hand back up and retake the reins. Then proceed in walk (or trot, or canter if your salute is not the final movement).

I’ve seen a lot of emphatic salutes recently, with great flourishes of the hand, or even naval style salutes. Neither of which appeal to me. But then again I’m a person who likes plain browbands, no frills or ruffles.

I would encourage anyone unsure of how to salute correctly to watch Charlotte Dujardin and other famous dressage riders to see the succinct, crisp, clear way that they salute the judge.

Perfect Circles

Last week I had a new experience; I was videoed teaching a masterclass with two young riders for Demi Dressage.

Since Christmas I’ve been involved with Demi Dressage – Which you can read about here – and the theme for the Easter holiday tests is circles, so we decided to have two guinea pig riders of different abilities and record a masterclass to help teach our young competitors how to ride round circles, rather than egg shaped circles.

Considering I’m the person who hated my mentor observing my lessons while I trained for my BHS PTT exam, and she had to leave me with my clients and sneak into the gallery to watch, this was quite a big deal for me. I was fairly nervous, and even got as far as writing down my lesson plan rather than just having the vague agenda in my head.

One of my riders was five, not particularly confident and not ready for canter. The other rider, she was ten I think, was more advanced and cantering competently.

Before we got mounted, we looked at the Crafty Ponies Dressage Arena diagram (not heard of Crafty Ponies? Where have you been) they’re amazing! ) to see what a correct circle looks like in the arena and how circles are often ridden as either ovals or egg shapes. My youngest rider told me that the most important thing about the shape of the circle is that it is round. Whilst my older rider told me that the hardest part about riding circles was making them round.

Whilst the girls warmed up their ponies I got busy with setting up a perfect circle. My able assistant stood on the centre line ten metres from A, holding a lunge line. I then walked the circumference of the 20m circle, laying out small sports cones. These are my new toy; soft and flexible it doesn’t matter if they get stood on (although I do charge a fee of one Easter egg per squashed cone) but they provide a great visual aid for riders.

I used plenty of cones to help my younger rider mainly, but you can reduce the number of cones as you get less reliant on the cones. I also used yellow cones for one side of the circle and red for the other – for reasons that will become obvious later.

I ran through the aids for riding a circle with the girls: turning your head and body to look halfway round the circle, indicating with the inside rein and pushing with the outside leg. The girls then rode the circle in walk so that I could see that they were using the correct aids, and also check their level of understanding. This is more important for the younger rider really. I had gotten the older rider to ride a 20m circle at C in the warm up, with no help so that she could compare her before and after circles.

Using the perfect circle of cones, we could see where the ponies tended to lose the shape. All ponies are reluctant to leave the track and security of the fence line, and the cones made both girls more aware of this so they had to apply their aids earlier and more strongly in order to leave the track at the right place. With my older rider I could talk about the balance of her aids, and fine tune the circle, whilst with the younger one I kept it simple and focused on her looking further around the circle, which automatically applied her weight and seat aids.

The girls worked on the circle in walk and trot in both directions, and then the elder rider cantered it on both reins. The canter was more interesting as we could see the difference in her pony’s suppleness (I racked up a few Easter eggs here!) which led to an interesting conversation on the asymmetry of the canter gait.

With the girls understanding and experiencing a perfectly round circle, we then talked about how to ensure that the second half of our circles are the same size as the first half.

I got the girls to ride their circle in trot, counting their strides all the way round. This part of the session would go a little over my young rider’s head, but I felt she’d still benefit from learning to count her strides and the theory. The bigger pony got 32 strides on the whole circle, so then we tried to get sixteen strides on the yellow side of the circle and sixteen strides on the red side. With the cones to help, she pretty much nailed it first time.

With my younger rider we aimed to get twenty strides on each half of the circle, and whilst she struggled to count and get the circle round, it did help improve her understanding of the previous exercise, and she did manage it with some help from Mum counting aloud with her.

I didn’t do this exercise in canter as I felt my older rider had enough to digest, and she can apply the same theory to it another day. However, I did set her a challenge to finish the lesson. We tidied up the cones, and I asked her to ride a twenty metre circle with sixteen strides on each half.

Which she did correctly first time! And could analyse the differences between the circles she’d ridden in her warm up, and her final circles. Overall, a successful and enjoyable lesson I believe. And the videos aren’t too cringeworthy either – to my relief!