Figures of Eight

For some reason I’ve been doing a lot of figure of eight work in lessons. I think it’s because I’ve been focusing my clients on changing their horse’s bend, and staying balanced throughout, but I’m enjoying seeing the horses strengthen as they switch between hind legs.

I was teaching one lady on her horse, who can be a bit lazy and not engage his engine, but where we’re building up his topline and trying to strengthen his hindquarters it’s important that we get him thinking forwards at the beginning of the session. So we’ve been using trot poles as an incentive.

After a short trot to warm up on each rein, I started them working over five trotting poles. This increased their impulsion immediately, and the stride length started to improve, but because the poles were on a straight line the horse could avoid bringing his inside hind underneath him, which makes it harder for us to improve his suppleness and strength. He needs more circle work, but without overstressing him. So we began to put the poles onto an oval.

The poles were still ridden in a straight line, but my rider curved away just after them, to ride a distorted circle before curving back to the poles with a short approach. This improved the horse’s cadence over the poles as he started to flex more through his knees and hocks and couldn’t sneak onto his forehand in the straight lines.

Next, we started to alternate which way they turned after the poles, so we were riding a figure of eight. This had the benefit that it made my rider ride straight over the poles, and not accept the slight bend her horse left himself in on straight lines. Which improved their balance round the turns because he wasn’t pretending to be a motorbike and stayed vertical.

Next up, we incorporated canter transitions. After the trotting poles, as they turned left my rider asked for left canter. The aim was to have a positive response from the canter aids, have a forwards canter round the bigger oval, and then ride a transition into an active, balanced trot ready for the poles again. Having the poles after the transition helped maintain impulsion and stopped him trying to drop his forehand.

We developed this into a figure of eight exercise with one circle in canter and the other in trot. Which improved his suppleness and stopped him predicting the canter transitions. Especially when we turned the same way consecutively!

I’d like to develop the exercise further with them so that both circles are in canter, and the poles are raised. This will get him more responsive to his rider because there are a few questions in quick succession, and it will improve his balance, strength and suppleness. He will also begin to work more consistently over his back, engaging his abdominals and bridging. This will help his rider learn the feeling of him working correctly so that she can recreate it without the help of the poles as he gets stronger.

It’s a really simple exercise which has immediate, positive effects, and I loved the way it stopped this horse anticipating and rushing the poles, or the canter transitions.

Visual Learners

Teaching these days is all about providing information in a variety of forms. Years ago teachers would teach verbally, but nowadays they offer pictures and videos, physical activities and social activities to support their verbal lectures.

In an arena I predominantly use verbal explanations, but I also use videos and photos to feedback to clients, and have been known to get a nearby rider to demonstrate an exercise (especially rising canter). I will also walk any lines to help demonstrate an exercise. Sometimes physical feedback, such as adjusting a foot’s position in the stirrup, is as useful teaching tool.

I’ve been teaching a young boy, who has high functioning autism, and he’s really testing my imagination in terms of effectively getting my message across to him in a format he understands. I know not everyone likes to label children, but from a teaching perspective it’s very useful to know of any problems, if that’s the right term, so I can better understand their reactions or behaviour, and adjust my approach so that they get the best out of the lesson.

He’s very literal, so I have to be careful not to use figurative language. Today I said, “tell Tilly to go round the edge” as his pony started to cut the corner. So he said, “Tilly, go round the edge.” Of course I meant to tell the pony with his legs and hands, not to literally tell her! So I’m having to adapt my words and phrases so that there’s no room for misinterpretation.

I also have to explain exercises very explicitly so that he understands them. For example, I tell him at which letter we will go into trot, and then I have to list each letter he will ride past, and at which letter he needs to ride a downward transition. Otherwise he trots from the start letter across the school to the final letter!

To help me direct him, I use a variety of cones and poles. For example, he must ride past the yellow cone before he turns, or he should halt between the poles. These props are easy to adjust to make an exercise easier or harder, and seem to really help him focus on where he’s going. He also has immediate feedback as to whether he’s achieved the aim because he’s either the right side of the prop, or he’s not.

This is a useful approach for visual learners, so definitely one for me to bear in mind when teaching others. I have one client (who knows who she is) who always cuts the corner after poles, so when we progress to jumping she is going to have cones to go round so that I can break this bad habit!

With this young boy, I’ve also had to get creative to help improve his riding position. Sticking to visual cues, I put red electric tape onto his reins which he must hold in order to have the correct length of rein and to have the reins the same length. He tends to, like all beginners, to hold his hands close to his tummy. So I sprayed purple spray onto his pony’s withers to show him where his hands should be. Of course this works best on the greys and palominos.

When we’ve been practising jumping position, to improve his balance and lower leg stability, I’ve been putting a plait in his pony’s mane for him to hold so that he is moving his hands the correct distance up her neck.

He has some special gloves on order, which have an L and R on to help him learn his left and rights. I know many adults who would also like these gloves!

I’m sure as he progresses through his riding I will need to become even more imaginative – suggestions on postcards! I think I will mark a line along each shoulder in a different colour to help him learn his trot diagonals and to see the shoulder moving. It’s all about finding ways to help him understand different concepts which makes sense to him.

But I’m up for a challenge!

An Unlucky Pole

I took Phoenix showjumping today. She stormed round the 70cm clear, pushed into third place by some whizzy kids. In her first 80cm class, she had a pole down. But was still the fastest four faulter to be placed seventh.

On a side note, before I return to my main reel of thought, I’d like to well, boast really, about how amazing she is to take out. Loads herself, waits patiently and quietly for her class, warms up calmly, waits quietly, jumps her best, and then stands round while her little fan hugs and kisses her neck. She really makes the day enjoyable from that perspective.

Back to my original topic of conversation. That pole we had down. It reminded me of a conversation recently held between friends. One friend was suggesting that there is no such thing as an unlucky pole, and it is becoming an excuse for sloppy riding and a lack of clear rounds.

After every jumping round I do, I come away planning my improvements. Even the clear rounds. Last time we competed and had the last jump of last round – yes, annoying because we were a good ten seconds faster than our rivals – I knew exactly what had gone wrong. In trying not to upset Phoenix’s fairly fragile canter I hadn’t half halted between the last two fences and she needed it. So she had bounded on in a flat canter and basically went through the jump. I beat myself up then for letting her down more than anything, and went away to strengthen the canter and ride related distances properly. That wasn’t an unlucky pole.

Today; what went wrong? I’m yet to see the video, but it was a related distance on a slight left curve. We had the second element down. Phoenix’s canter felt much stronger throughout the day and she wasn’t towing me onto her forehand. She’d jumped big into the related distance because it was a loud filler and I’d really pressed the go button, and I think that this meant the distance between the fences along with the line I rode, and the stage she’s at in her training meant that she just got too close to the second element and brought down the front rail of the oxer.

Now was that unlucky? I think it could have gone either way today. We could have gotten away with it. Neither of us did anything wrong, she wasn’t tired, her technique was neat, and it’s perfectly within her capabilities, but the sequence of events just didn’t flow on the day. It was unlucky in the sense that she was jumping very well and confidently so didn’t really deserve to knock one with such a slight error.

That doesn’t mean there isn’t anything for me to learn from today. Her canter still needs improvement as if I had more scope to collect her I could have adjusted her enough to correct her bold jump into the related distance. I could’ve ridden a wider line, but it’s hard to change course once you’re on it. I also think I over-rode the first element, but I think the more competitive experience we both get together the better as I’ll know exactly how much leg to use and she’ll be less likely to have a second look at a fence. I also think she’ll benefit from a few jumping exercises I’ve got planned to help teach her not to bowl on quite so much through a related distance, as that is a common theme. But we’ll do our homework for next time.

So is there such a thing as an unlucky pole? I think you can be unlucky as a pair in that you deserved to go clear from the way you rode the rest of the round and the minor error which caused the pole to come down. You’ve tried your best with your ability on that day. But that doesn’t mean it’s an excuse. After all, a clear round is the goal and a pole down is a less than perfect result, so improvements can be made at home.

We riders need to walk away from a knock down and try to work out how we can improve on it. Be it riding better lines, improving the canter, practising on different surfaces and inclines, practising with fillers or water trays, changing tack, boots or studs if they’re becoming a hindrance or any other weakness you feel you and your horse have. Then, we will achieve perfection.

The video from the 80cm class has just come through, so I thought I’d share it so you can see our slight error. It was a straightforward course, but full of related distances, which is the area we have we working on most recently so it was a useful test.

Circles and Jumping

I’ve been focusing recently on jumping dog legs with a client since we discovered how difficult she and her pony found riding left dog legs were. They often drifted from their jumping line and lost the fluidity by chipping in a stride.We’ve worked hard at this and last week the dog legs were far more even between the reins.This week I decided they needed more of a challenge to make sure my rider was riding actively and accurately between jumps, using her lazy right leg (the cause of the left dog leg problems), and to improve their suppleness.

I love this exercise and providing you have enough space it’s so useful for getting riders to link fences together. I placed four cross poles on a 25m circle at 12,3,6 and 9 o’clock. Initially, I asked the pair to canter a circle over the jumps in both directions. They had to ride the circle until it felt consistent and flowing. They were supposed to get five canter strides between each jump. In order to ride this exercise well you have to be continuously riding towards the next jump. The outside aids need to push the horse round so that they stay balanced, and you want to be jumping the centre of each jump – hence why I used cross poles to help guide horse and rider. I was pleased that both reins were fairly consistent from the start, and my rider didn’t feel that one direction was significantly harder than the other. This proves they are becoming straighter and more symmetrical in their work.

The next challenge was to improve the quality of the canter and their suppleness. They had to ride the large circle of jumps and after jumping every second fence they had to ride and 10m circle within the big circle before re-jumping the fence and continuing around the circle. The smaller circle gets the horse’s hocks underneath them and improves their suppleness, as well as making them neater over the next jump. The rider has to turn more, opening the inside rein more and using more outside leg to get the turn, so it will highlight any weakness on the rider’s part. We put two small circles within the big circle, but you could do a small circle at every jump to increase the difficulty. I find it useful to have a jump to aim for, especially a cross, because it’s very easy for riders to accept a wider turn on the flat as there’s no marker to cross, whereas a jump will encourage them to be more active and determined in their riding.

With the smaller circles my rider started to plan ahead more, turning whilst in the air, and her pony started to bring his hocks underneath him more, improving his canter.

Challenge number three was a bit harder. Instead of riding a small circle towards the middle of the big circle, on every other cross pole, my rider had to ride a small circle outwards. This required a change of canter lead over the jump. Something they are perfectly capable of, but sometimes it takes a minute or two for the switch to click. I got my rider to exaggerate her turns, really pushing the weight into her new inside leg and opening the rein so that her pony changed over the jump. We had a few attempts with no change of lead and so am unbalanced small circle, but they started to get it together and when it worked, the sequence flowed seamlessly with no loss of balance or rhythm.

We spent more time on this challenge, bringing the different aspects together, and then finally they progressed to the ultimate challenge!Alternating between internal and external small circles on the big circle. Below is a rough diagram of their route on the left rein. For this, my rider had to be on the ball; riding each stride with purpose and positivity because her pony didn’t know where he was going! It was a good test of how rideable the pony is, his suppleness and their ability to ride rhythmically and fluidly between fences.

I was really pleased that the circles were all fairly even in terms of size, shape and balance. Although they didn’t manage to change canter leads each time, all the elements started to come together and it was only tiredness and minor miscommunication holding them back, which will improve with practice. Hopefully after riding this quick thinking exercise the pair will find it easier to ride flowing courses of jumps.

Fitting a Martingale

I’m watching the cross country action from Burghley today. I tried yesterday but our internet kept dropping out, so I’m a bit behind the times.

It’s a tough course though, isn’t it? Don’t worry Phoenix, we won’t be aiming there next year! I’ll be quite happy to have a few positive runs at 80.

I digress. There were some crashing falls at Burghley, but also an unlucky accident. One of the horses picked his feet up very neatly over one of the fences. So neatly that one of his studs got caught in his martingale so he stumbled on landing, being on three legs and the pair fell.

You can rest assured the martingale had been fitted correctly, but it did remind me how frequently I see badly fitting martingales. This pair were really lucky, but if a foot gets stuck in the martingale strap by the girth and the horse can’t wriggle free and the leather doesn’t break then you’re looking at a rotational fall with potentially catastrophic consequences. Scary.

So how should a martingale be fitted? I think confusion arises because there are so many variations of martingales and breastplates. But they all have a central strap between the horse’s front legs so let’s start there.

You should be able to fit a flat hand between the horse’s chest and the strap. I think these are being left looser because we now have girths which have buckles or clips for martingales. Obviously if you buckle the martingale to the girth less leather is used up going around the body of the girth so the strap needs to be shortened. This sometimes means that more holes need to be punched into the leather. I think sometimes people lack the confidence to add extra holes into new tack. Everyone who rides or tacks up the horse needs to know if the martingale attaches to the buckle or the girth goes through it so that it is fitted correctly. Breastplates usually have a fixed joint which sits at the base of the neck, but martingales have a continuous strap from girth to reins or noseband. So when fitting the top half of the martingale you need to be aware of the lower half, and vice versa.

A running and standing martingale have the same neck strap, which is fitted correctly when you can put a hand between the top of the neck and the strap. That’s about four inches.

This is where things get more complicated. The rings of the running martingale straps should reach up the the withers; too short and they’ll apply downward pressure when it’s not needed. A standing martingale is fitted so that when it is lifted to align with the gullet you can still fit a hands width between the strap and the horse’s throatlash.

Onto breastplates. I find breastplates much trickier to fit as they shouldn’t restrict the horse’s shoulder movement, but as they stop the saddle slipping back you don’t want them loosely fitted. The running martingale and central straps should still be fitted with the above measurements in mind.

The hunting breastplate is the simplest of breastplates, and should be fitted so that your fist can be fitted between the strap and horse at the centre of the chest so movement isn’t impeded or too much pressure put on the tree of the saddle. You could also lift the top of the neck strap, which should give four inches clearance from the wither at the correct fitting.

Fitting a five point, V-check breastplate, and all other variations are more complicated, but it’s best to consider that you should be able to fit a fist in at the point of chest, and anything that goes over the withers should have four inches clearance. I would then advise that you are observed and videoed when you first ride in the breastplate so that you can analyse if the breastplate is interfering with your horse’s movement, or is being effective at keeping your saddle in place.

It makes me think that really, because there are so many variations of breastplates and martingales (some have elasticated inserts), and there are always new designs, that companies should provide fitting instructions to help your average horse owner get it right and avoid any accidents, either from the tack being dangerously loose or from it being too tight and inhibiting the horse.

Working a Young Horse

There’s such extreme opinions and attitudes towards working young horses; when they should be backed, first jumped etc. Racehorses are still on the track as two year olds, and some people leave a horse feral until they’re five.

Despite scientific evidence about when a horse’s skeleton is matured, there is still a lot of pressure for talented, well bred sports horses to be produced for four year old classes. Which causes all sorts of problems later in life for them. It’s a society of instantaneous gratification; in which horses who are capable of performing today do, rather than waiting until they are mature enough to in five years time.

In this sense, lesser quality horses – perhaps with less talent or with a less favourable conformation – actually fare better because they are produced at a slower rate and usually later in their lives.

Anyway, I’ve come to my own conclusion about how I feel an intelligent, talented young horse with a trainable temperament and good work ethic should be nurtured. It’s important to introduce brain work early in their lives, without doing too much physical work.

Mental stimulation can involve introducing a young horse to different environments, showing them poles, fillers, tarpaulins etc, in hand work to establish good manners, taking them to in hand shows, leading them out along quiet lanes, and meeting cars and bicycles. This sort of enrichment builds a bond with their handler, which should make the backing process less stressful for the horse, and builds the horse’s confidence when out and about.

I’ve got a new client, with her new four year old. The mare was produced in Ireland before being sold at a sales, and has a very clever mind as well as talent to boot. Whilst she needs to mature and increase condition, she also needs work to keep her busy brain occupied so that she stops jumping out her field or box walking.

They had their first lesson this week. The mare is fussy to mount, quite anxious and tense. This behaviour stems from anxiety so we have formulated a plan to overcome this. As it’s not rudeness, I don’t think the mare will benefit from a confrontational approach, but we do need to encourage her to stand more quietly to mount. It’s a long term approach, of mounting and allowing the horse to walk until she relaxes slightly and then asking her to halt momentarily. Hopefully each time she’s mounted the walk period gets shorter and halt gets longer. Time can also be spent standing by the mounting block with nothing further happening. We don’t want to add to the tension, but we need to introduce the concept of better mounting manners. Hopefully within two months she is less anxious about the mounting procedure and only needs walk a couple of steps before halting for as long as her rider needs her to. Racehorses have a similar problem with mounting because they’re used to being legged up and hurried into work.

The mare, as with all youngsters, walked into the arena and immediately started calling and looking for her friends, drifting back towards the gate. She’d left her brain in the stable. Add this to her tense, quick walk, and there’s nothing to work with. So we began the lesson by my rider just walking around the arena, circling around every jump she passed. I told her not to worry about the quality of the walk, or the bend. We just wanted to use the circles to draw the mare’s focus to her rider, forgetting about her friends in the stable. My rider could start to think about her aids and assess the mare’s understanding and response, but we didn’t want to start changing the mare until her brain was on side and she had begun to relax. It took a good few minutes of walking for the mare to take her mind off the gate and stables, and to relax into a longer striding walk. You could see she was starting to concentrate on what was going on in the arena.

Now that the mare was starting to relax we could introduce halt transitions. Reluctant to stop, she opens her mouth and tries to barge through the hand. She’s in a Micklem bridle, with a Neue schule eggbutt snaffle with bit stabilisers, which means she isn’t fussing as much with her tongue or gaping her mouth as wide as she did when viewed, so I’m hoping this habit reduces more when she settles fully into her new home. Anyway, I asked my rider to vibrate the rein as the mare set against her hand so that we diffused the tug of war situation. After a couple of halts, the vibrations were less because the mare was starting to understand the question and responded to my riders’ initial aids.

With this starting to fall into place, and the mare focused on her work, we could then take a five minute break. They halted and stood still for almost five minutes, taking in the scenery, and most importantly, relaxing. This halt is the type I’d like them to get upon mounting, so it’s good to see the concept is there. We repeated the halt frequently throughout the rest of the lesson to give the mare time to assimilate each exercise.

Staying in walk, as I now wanted to ask the mare a couple of questions to see how trainable she is, we began to introduce the idea of straightness. Now I know it’s halfway up the Scales of Training, but the mare was showing preference for left bend and unless we iron out her banana-ness, we won’t be able to start at the bottom of the Scale.

On the right rein, the one which the mare bent outwards, we started riding a square. Again, we weren’t making a huge change to the mare’s way of going, but rather showing her that there was a different way of moving. Riding straight lines emcourages the mare to straighten out of her left bend, and start to think about bending to the right. Her rider could also check she was sitting straight and giving even aids.

As with all youngsters, the mare wobbled along the sides of our square, so we made sure the reins and hands were channeling the mare straight without being claustrophobic, and the legs hung round her barrel to guide her between the reins. Just with a little more support from her rider and the mare started to move straighter, stride out and relax.

We repeated the square on the left rein to show the mare that she didn’t have to curl up to the left. Then we did some more circles around jumps and my rider felt the mare was better balanced and she had more influence over their direction. I was pleased with the improvement in the mare’s walk. As she relaxed she was exhaling in big snorts, lengthening her stride, lowering her neck and generally looking happier.

We finished by trotting a gentle square on both reins, aiming for a consistent rhythm and the mare relaxing into trot, stretching herself into a longer frame as she and her rider found their balance together.

Despite spending most of the lesson in walk the mare was mentally drained. She stood with her head low, ears floppy. You could see that she was tired. Her working routine will be two schooling sessions a week; one a lesson similar to this one and the other a shorter revision session with her owner. The rest of the week will be spent either in hand walks, some in hand work, such as pole mazes, or short ridden hacks. She’s a very clever horse so we need to keep her brain ticking over in order for her to be more manageable in the field and stable, but we do need to be careful not to stress her body physically, but I think this arrangement should benefit her best.

A Flexible Mindset

I’m not sure if it’s my history of working with ponies, or my experience with Welsh Cobs, that has given me this skill, but it’s such a useful tactic when training horses and I love the satisfaction I get when I’ve outwitted them.

Last week I was doing some canter poles with a client and after they’d gone over the three poles nicely it all started to go wrong. The mare got quick, tried to cut the corner, and her rider froze in the saddle. So we stopped and took five, to chat about what was happening and where we were going next.

My client told me that this was why she didn’t like doing canter poles. Because the mare got excited and she felt out of control.

The mare has a history of being in a riding school, which I think possibly contributes to the behaviour as she’s used to repetition. But basically, she’s anticipating the exercise. Which causes her to rush or to motorbike round the corner on the approach.

We can predict the behaviour, and we know the reason why it’s happening. The important thing is to make my rider feel in control and confident. So let’s trick this mare!

I got them to walk up over the poles, then trot over them. Doesn’t matter that they’re canter poles, the point is that the horse goes at the requested speed. Then we changed the approach. Coming off either rein, taking a long approach then a short approach. The mare soon stopped anticipating canter over the poles. So then we cantered over the poles! My rider was still expecting to be tanked off over the poles so had the handbrake on a bit. But now that she was realising our tactics, she started to ride the canter and relax her arms.

We then added in circles. If the mare tried to rush on the approach, my rider had to immediately ride a 10m circle. She could repeat the circle as many times as needed so that she felt in control as she turned towards the poles.

With all the variety of approaches to the poles, it started to come together nicely in that the mare was waiting to be told what to do and when, and my rider felt more confident. I also told her that another option whilst schooling is that she leaves the poles and works on the flat for five minutes before returning to the canter poles to diffuse the mare’s ability to predict the exercise.

This got me thinking about where I’d learnt these tactics, and then I remembered King. He was a riding school pony when I learnt to ride who fidgeted and pawed at the floor whenever he was at the front of the ride. I should explain that when we did canter or jump exercises (depending on the lesson level) we’d halt at B in a long line. Anyway, King just anticipated the cantering or the jumping, so to keep him calm and the rider settled, when King was second in line at B, he would overtake the first horse, do the exercise with perfect manners, and then when the first horse had returned to the rear of the ride, they slotted in in front of King. Quite often fidgety horses, especially youngsters, would do this for a few weeks if they showed signs of impatience, and it really worked well.

Another outwitting exercise I remember was with Aries, who loved jumping but got very excitable and usually cantered sideways towards the jump before being straightened three strides away and he’d bomb over. I loved riding him, and know exactly what I’d do to break this habit now, but times and attitudes change. Anyway, to stop Aries predicting the bombing to the jump a few strides away, I remember his owner cantering a circle around the jump, and only when he stayed calm on the turn to the jump, was she allowed to let him jump. She must’ve done twenty circles that first time!

Then I think about Phoenix and how sensitive she is. Some days, an exercise will work really well for her, but others she’ll get her knickers in a twist about. So very often I have to ride a movement once, assess whether her brain has fallen out, and it has, try a slightly different exercise which will have the same results.

It’s the same in lessons sometimes. I may have a plan, but if rider or horse are struggling with one of the first steps I either have to change my goal for the end of the lesson, pushing my original plan back a week or two, or I have to divert in order to get over this stepping stone.

It’s all about having a plan, but knowing the three or four optional routes which will get you there, and then responding quickly to the horse you have on the day, so that you keep them on your side and maximise your training session.

A Thelwell Moment

I had a Thelwell moment this week which made me feel all the emotions at once – horror as I could see it unfold in my mind’s eye and laughter as it was a comic moment.

My little rider was trotting along, having recently come off the lead rein, when her pony stopped and put his head down to scratch his nose.

Now this rider is only little, and not that experienced or strong in her position. We’ve been working on her keeping her heels lower than her toes in recent lessons.

Anyway, as her pony put his head down he pulled her forwards so that her shoulders were on his withers, her legs had swung back so her toes were pointing down.

Time seemed to freeze.

The pony continued to scratch his nose, oblivious.

His rider was hovering at that critical point. She could go either way at any moment.

I couldn’t run up to the pony as he’d shy away from me. I started edging closer, telling my rider to sit up, whilst hoping her pony would just lift his head and push her back upright into the saddle.

He didn’t. He didn’t do anything other than continue to scratch his nose in his own little world. But before I could reach them without making the situation worse, his rider slowly tipped further forward, until, to his great surprise, she somersaulted down her pony’s neck.

He jumped sideways in surprise, as she hit the floor. Unhurt, you’ll be pleased to know, but shocked. She got back on and continued the lesson happily, with the specific instructions that if he put his head down again she needed to push her heels down and slip her reins. We’re getting some balance reins for next week to try to stop this reoccurring as we build up her core strength.

I wish I’d had a camera as it was comical as she hovered at the point of no return.

The Perfect Salute

All dressage tests finish with a salute on the centre line, and from Elementary level and above there’s a salute at the beginning too.

From a judge’s perspective, a nice salute and a smile leaves a positive, lasting impression on them. So if you finish with a smile and a smart salute the judge will appreciate it, and possibly write more positive comments and be more generous with the collective marks. Their final impression of you is a good one.

Someone told me years ago that you should always smile at the end of a dressage test because if it’s gone well you should show that you’re satisfied with your performance, and if it’s gone wrong then you aren’t berating yourself too much – I guess the phrase “smiling ruefully” springs to mind.

I also like to see horses and ponies getting a pat and neck scratch as a competitor leaves the arena on a long rein. Certainly it’s something I do each time I leave.

Anyway, I thought I’d share with you the tried and tested salute that I learnt as a child. It’s not flashy, being a workmanlike movement, but it means it is as at home in the show ring, dressage arena, or jumping ring.

Emphasis was put, when teaching us the salute, on not rushing it. So we had to count each step to slow us down.

Firstly, ride forwards to halt, as square as possible, but ensure you establish the halt before saluting. There’s nothing worse than a rider saluting as their horse stops. It looks impatient, suggesting you are an impatient rider.

On the count of one, place your whip and reins into one hand. In the show ring you salute with the hand nearest the judge, but in dressage most riders use their dominant hand, or the one without the whip in.

On two, drop your saluting hand down so that it is vertical, just behind your knee.

On three, give a clear nod down of the head. On four, raise the head again, smiling to the judge. Dividing the nod into two counts ensures it’s not a quick bob of the head, that could be missed by a judge blinking.

And on five, bring your hand back up and retake the reins. Then proceed in walk (or trot, or canter if your salute is not the final movement).

I’ve seen a lot of emphatic salutes recently, with great flourishes of the hand, or even naval style salutes. Neither of which appeal to me. But then again I’m a person who likes plain browbands, no frills or ruffles.

I would encourage anyone unsure of how to salute correctly to watch Charlotte Dujardin and other famous dressage riders to see the succinct, crisp, clear way that they salute the judge.

Recommendations

In my line of work I’m always being asked for recommendations for equine dentists, farriers, chiropractors, saddlers.

I work on the basis that I can and will recommend those who I use for my horses. But sometimes I know that a client may be out of that professional’s area, so I have to have some alternative names up my sleeve.

I like to know who my clients use, for shoeing or saddle checks or massages. Because over time I can see the effect of their work, and get feedback from my clients if they are happy with the service they’ve had. Which means that when I’m asked for a recommendation I can say, “I have seen and heard good things about so-and-so who covers your area”, or “so-and-so has done a great job with a client’s horse who had a similar issue. Might be worth contacting them?”

Regardless of recommendations clients have though, I always suggest that they do their own research and make sure the name they’ve been given is a member of the society of their profession. For example, qualified saddlers should be members of the Society of Master Saddlers. According to the website, “The Society of Master Saddlers aims to ensure and achieve a high quality of workmanship through setting standards and overseeing the training of the membership’s workforce to give their customers a professional and quantified service. It continues its work to carry these standards through build, repair & fit, and to work towards the complete comfort and safety of horse and rider.In layman’s terms, a master saddler attends regular training days and has certain standards to adhere to, which means you know you are going to get good service.

Equine dentists should be members of the British Association of Equine Dental Technicians; a list of members is found on the website, just as master saddlers are on their website. Again, you know that they are attending training days, have undergone numerous exams, and have a network of support from other professionals. This means that you could ring up one member, and whilst they may be too busy or not come out as far as your yard, they will be able to put you in contact with a qualified dentist who can help you.

Farriers have a more complicated set up as they invite vets to be part of their club too. But the Worshipful Company of Farriers is a good place to start your research, as it lists the various qualifications farriers can achieve, but doesn’t have a concise list of professionals that you can search from. In which case individually research the farrier you’ve been recommended to see that they’ve passed their qualifications and if they’re training towards further exams. A lot of farriers have independent businesses, even when fresh from an apprenticeship, which I see no reason to avoid. Being fresh out of college means that they will have had access to the latest technology and knowledge. However, experience is important and can only be gained with time, so I would want my fresh faced farrier to have a supervisor. Perhaps a more experienced farrier whom they work with once a week/month and who they can ask for advice should they come across a problem they haven’t encountered before. You can only find this out by talking to individual farriers though, and making your own assessment as to whether they are able to shoe your horse well. This is more of a consideration if your horse has special foot care requirements, such as being laminitic or having a conformational defect.

Physiotherapists, chiropractors, and equine masseuses all have their own governing bodies, so it is worth spending some time looking individuals up to see their credentials, be it examinations or experiences.

Of course, instructors have the BHS to govern us; provide training days, insurance, and support the exam system. There are also databases for Pony Club, British Dressage, British Eventing, British Showjumping etc trainers, who are also required to stay up to date with their first aid, child protection, and professional training. Regular training days ensures that we stay abreast of any training developments, new equipment to aid performance, and any rule changes to disciplines. The same goes for saddlers attending seminars where they will see new designs of tack, or witness new materials which are being developed. Dentists or physiotherapists will be introduced to new techniques or tools to help them do their job.

I would also say that it is important to chat to the professional you are considering using and see if you like them; get good vibes and find them personable. Qualifications count for a lot I feel, not only because they have the correct foundations to work from, but because they will have a network of support, both of which will help them get a vast range of experience to enhance their qualifications.

So my advice to anyone looking for a professional for any aspect of your horse’s care, is to ask a couple of friends or mentors, who’s opinion you trust and who knows your horse, and then do your own research to ensure that they are qualified, experienced enough to work with your horse, and part of a society or association which ensures they will continue to provide the best service that they can.