Breaking Up A Course

I was working with a young rider and her fairly new pony a couple of weeks ago on riding in a open field. They’ve spent lockdown getting to know each other thoroughly, but the pony came with the warning that he got very excited in open fields so now it was time to broach the subject.

With her parents she’s walked around their riding field and it’s become boring for her pony so he doesn’t get excited when on his own. They’ve popped over the odd log but the rider doesn’t feel she can control him when stringing jumps together, or approaching jumps in more than a very steady trot, and the pony is known to get faster and faster throughout a cross country course.

I took the pair out into the riding field and started by getting my young rider to walk some school shapes around the logs, trees, bushes and other obstacles. The idea being to fill her pony’s brain with where they were going next rather than the speed they were travelling at. We made a plan of a sequence of movements so my rider could plan her route and didn’t have to think on the spot, which is quite difficult when you’re ten years old.

Once they were riding a calm, steady walk meandering around our corner of the field we moved up to trot. The circles and serpentines helped keep a steady rhythm with my rider feeling in control. With trot established and them both warmed up, I got my rider to adjust her circle so that a little log just happened to be in their way. They trotted over the log, which wasn’t really big enough for the pony to jump, and then carried on round their circle. No big deal. The idea being that the jump was part of their flatwork.

We continued in this vein, over a couple of tiny logs using circles on both reins, progressing from trot to canter. As soon as the pony started to get excited towards a log, the circle my rider was on changed line so that they avoided the jump. It was important that my rider wasn’t pulling out of the jump so teaching her pony to refuse, but she was riding a different line to remain in control.

We worked out way around the field over different logs, using circles before and after to keep the pony in a controlled rhythm without stopping and starting all the time.

With my rider growing in confidence, I started to link some logs together and get her moving around the field much more. However, instead of just telling her a course – so she had a route to take – I gave her movements to do between the jumps. She started with a circle before popping over the first log, and then rode a circle in either direction as she travelled to the second log. She could ride as many circles as she wanted to feel in control before jumping the second log. Between the second and third log, I told her to ride a transition. From canter to trot, and then back into canter. My theory was that if there’s a question before and after every jump it takes the pony’s focus away from jumping and he doesn’t anticipate that the next obstacle he sees is what he’s jumping.

We built the pair up to jumping longer courses of small logs around the field, linking a couple of jumps without the questions in between, ensuring my rider could bring her pony back after each long stretch. At key points on their course she had to ask him a big question to re-establish her authority, so breaking the course up into bitesize chunks.

I think if they continue schooling in this manner, making the jumps progressively bigger and more technical, but with questions between jumps, then when they need to jump a course, at a hunter trial or something, the pony will be expecting to do something between jumps so should not accelerate to the same extent that he used to. Additionally, my rider can ride a transition which won’t incur 20 penalties; possibly gain a couple of time penalties but I’d rather time penalties than them going dangerously fast. I think this is the way forwards for this pair at the moment and as their relationship grows they can start to link fences together straight with ease because they maintain a steady yet forwards rhythm rather than starting and stopping for each jump.

Choosing Your Line

I chose a straightforward jumping exercise for a couple of my riders this last couple of weeks. They haven’t jumped for a while due to lockdown and with no lessons so I wanted to get them all back in to the swing of things whilst being aware that they’ve lost their jumping fitness.

I laid out a one stride double of jumps with tramlines between the two jumps down the centre line. After trotting and cantering over the poles, revising straightness and riding lines before and after jumps. I built the jumps up as crosses, still requiring my riders to ride to the centre of each fence, and to stay straight between them. Then I made the jumps into uprights, which makes it harder to stay central. Both of my riders have been my clients for a while so found this exercise very straightforward as I regularly use tramlines in lessons. But it was useful for settling the horses and rediscovering their jumping rhythm.

Next, I discussed with them how sometimes it is beneficial to not jump the centre of a jump. Perhaps on a course the turn is quite tight, or the turn after is tricky. Or you need to shave nanoseconds off your time. Or the previous fence and turn went wrong and you’ve overshot the next jump.

In any of those cases, it’s very useful to be able to chose a different line to ride; be it the inside line that F1 drivers talk about, or the outside line.

I moved the tramlines, leaving one pole in the middle of the combination, dividing the jump into left and right. Then I put a pole before and after the combination to give a visual line to my riders.

Firstly, I had them coming off the right rein, but jumping the left side of the fences i.e. the outside line. Afterward the jumps we alternated between turning left and right, so my riders could get a feel of the effect of jumping off centre. Riding the outside line is slightly easier than the inside line, but if a horse tends to drift around corners then they often continue drifting out along the line of jumps and it is harder to get them straight before the fence. Turning left after jumping the left line of a fence is tighter, which saves precious moments in a jump off, but could have a detrimental effect at the next fence if it’s a short line or your horse is likely to lose balance on a tight left turn.

Next, we stayed in the right rein, but jumped the inside line; again alternating between turning left and right afterwards. This was a tighter turn on the approach which may make it harder for the horse to stay balanced, especially if insufficient outside aids are used. However, the jump itself may be better because the horse’s hindquarters are more underneath them. Turning right afterwards is a tighter turn than turning left when jumping this inside line.

I wanted my riders to compare how easy or difficult it was riding the inside line and the outside line from different directions, and to understand this in relation to their training on the flat and how this might affect their choices when jumping a course.

For exactly, a horse who is stiffer on the right rein will find it harder to jump the right line of jumps from a right turn. This might cause the horse to be unbalanced before the jump and potentially knock the jump down. This can of course be improved by focusing on suppleness on the flat and making the stiffer side of the horse more supple. In an ideal world, a horse will find it as easy to turn tightly from the left rein and the right, but whilst you’re training it’s useful to know which turn is harder so you focus on improving that, but also from a tactical perspective you can choose the lines of your jumping course which are most economical on time with the greatest chance of jumping clear.

With my clients having mastered riding different lines through combinations the next step is putting this theory into practice on a course of jumps. Getting a feel for the difference that riding an outside or inside line can make to how well a course flows, stays intact, and the time it’s ridden in.

Planning Your Polework

With the majority of us not jumping at the moment and needing ideas to entertain us and our four legged friends more of us are looking at polework exercises.

Polework exercises that are being shared on social media are becoming increasingly complex and imaginative. I’m not against them in any way, but I think it’s important that riders don’t blindly copy the layouts, and take the time to plan, prepare and focus on your aims so that they don’t run into problems.

With any pole work layouts there are one or more themes:

  • Straightness
  • Accuracy
  • Cadence
  • Rhythm
  • Engagement of topline muscles

Before deciding on the pole layout you want to use, have a think about why you’re wanting to use the poles. What part of your horse’s way of going are you looking to develop?

It might be that a simpler pole layout is just as effective as a complex one.

If you are focusing on your horse’s weakest area, or your horse is weak or green, it might be better to only focus on one theme and keep the layout simple. Once they’re stronger, more established and confident you can start to use multiple themes in your pole layouts.

It’s also important to know the correct striding for your horse for trot and canter poles, and how to assess if the distance is too long or too short. The distance between trot poles is 4’6″ for the average horse, and if it is the correct distance for your horse their feet will hit the floor in the middle of the gap between the poles. If the distance is too close, then your horse will place their foot down closer to the upcoming pole. If the distance is too long, they will place their foot down closer to the pole they’ve just stepped over. The distance between canter poles is on average 9′, but it’s important to measure and calculate the distances like you would for trot when setting up the pole layouts.

Once you know your horse’s striding and can lay out straightforward trot and canter poles correctly for your horse you will get the most out of the any pole layout; reducing the risk of them injuring themselves or tripping over, and increasing the benefits of the polework to the horse’s way of going. Then you’re more likely to reproduce layouts you’ve seen online correctly.

I think there’s a real risk of people copying pole layouts they’ve seen in videos online without the correct knowledge to build it suitable for their horse and pony. Furthermore, without a thorough explanation of the aims of the polework layout or how to develop the exercises progressively; unknowledgeable riders may come a cropper by outfacing and confusing the horse, doing it too fast or in an unbalanced way, with the horse using his body incorrectly, and thus the polework is of no benefit at all.

I think it’s great that everyone is focusing on improving their horse’s way of going and utilising polework, but equally I think it’s important to share the “inside information” of distances, routes through the poles and the reasons, as well as riders themselves asking for advice from their coach or the author of the polework layout so that they are fully informed to the purpose of the polework and how to know if it is benefitting or not benefitting their horse and needs adapting during the session. And then of course the polework is safer for everyone.

Feeling Trot Diagonals and Canter Leads

Now, be honest, who can feel their trot diagonal?

Did you even know it was possible to know without looking down at your horse’s shoulder?

This last couple of weeks I’ve been focusing on feeling the trot diagonals with several clients. What are the benefits? Well, firstly, you don’t waste time and accuracy in your changes of rein looking down; secondly, it improves your feel and awareness of your horse’s strides, keeping your head up doesn’t unbalance your horse, and finally, it becomes autonomic. You check your diagonal as you go into trot without thinking, so leaving more brain space to prepare and ride your next movement, or to correct your horse’s way of going.

When I ask riders if they can feel their trot diagonal I often get a surprised and confused look. Almost as if I’d asked them if they could hear the smell of bacon. But when we get down to it, it doesn’t take them long to pick it up.

When I learnt to ride, in our group lessons on the lead rein, we had to go into trot, counting “one elephant, two elephant, three elephant, rise”. We had to do sitting trot until the word “rise”, when we commenced rising trot. No one ever explained the reasons behind this, so as a shy child I hated having to shout about elephants. But the reason behind it is that nine times out of ten, you end up on the correct diagonal. Don’t ask me how!

It also taught us our sitting trot early in our ridden education, and by remaining sitting for a few strides after the transition you can adjust and establish the trot. How often does a horse become unbalanced by their rider standing up on the first trot stride?

Anyway, this is an aside and certainly something I try to teach beginner riders to do. And when I’m nit-picking more established rider’s transitions it invariably comes up.

To teach a rider to feel their trot diagonal I get them to stay on a 20m circle. They go sitting and I ask them to think about how it feels, and see if they can identify different legs moving forwards. Then I get them to go into rising trot, and without looking, tell me if they are on the correct (this is where left and right, and right or wrong get confusing) diagonal or not. A circle or turn is easier to feel the diagonal on because the outside limbs move further forward so there is a difference between sides. sometimes they get it, sometimes they don’t. But it is a 50:50 question, so we repeat it a few times so that I know it’s not a fluke and they start to feel more confident in what they’re feeling.

I find that different riders find it easier to feel different limbs, and different horses make it easier or harder to feel a hindlimb stepping under. Instead of telling them which limb they should be feeling for, I ask if they can feel the outside shoulder moving forwards, or the inside hind coming under, giving the options to focus on. I used to feel my diagonal from the outside shoulder, but then that was on high stepping Welsh ponies! Nowadays I feel the diagonal pair working together, but my awareness and feel for the hindquarters has grown exponentially since I was eleven. I don’t really mind how my rider’s identify their trot diagonal, as long as they can tell me what they’re feeling and how that tells them which diagonal they are on.

If a rider cannot identify their trot diagonal on a circle I often ask them to change their diagonal and compare the two. Riding a turn on the wrong diagonal feels, well, wrong! Usually this helps them identify the correct diagonal, and is a useful step to take so that they don’t resort to looking down and checking immediately.

Often I find that just by identifying the fact that it is possible to feel trot diagonals, a rider becomes more aware of their subconscious feel for the trot. Once they can identify the correct diagonal the majority of the time on the circle, we try it on straight lines. Sitting trot for a minute or two and then rising and checking their diagonal by feel in straight lines.

Finally, I move on to transitions, asking my riders to ride up into trot from walk, sit for a few strides and start rising on the correct diagonal. This is more efficient than blindly going rising, checking and changing, and causes less unbalance to the horse. All that’s left then is for them to practice and for me to do spot checks to reinforce the lesson.

Closely linked to this subject, is feeling the canter leads. I think most people find it easier to feel than trot diagonals, but it’s easy to fall into the trap of the instructor informing the rider of a wrong lead before they’ve had a chance to figure it out for themselves. I know this because I see the incorrect strike off before the first canter stride is done and am always biting my tongue to give my riders chance to work it out.

I start by establishing what my riders know already of the canter gait; sequence of footfalls and if they are aware of the inside shoulder seemingly moving further forwards. That was where we were always taught to look as kids. I send them off into canter on a circle, getting them to feel and think about their horse underneath them. Then we work large, picking up the canter in the corner before the long side, and identifying as quickly as possible if they’re on the correct lead. Most of the time they will be, so I move the transition to E or B. The rider still has their influence of asking for the correct lead in the transition, but the horse is more likely to throw in an incorrect canter lead. We ride these exercises on both reins, so that my rider starts to build up an understanding for their horse’s preferential leading leg, and any asymmetries to the two canter leads.

I like to get my riders thinking more about the hindquarters in the canter as eventually I’d like them to feel the outside hindleg propelling the horse into the first canter stride and so correct their horse during a transition, which helps a horse keep their balance and means you can prevent a wrong leg catastrophe in a dressage test!

Improving a rider’s awareness during and immediately after a canter transition means that they can correct the lead nice and early – think about the benefit of correcting a canter lead before a turn on a showjumping round rather than losing balance round the turn, scrabbling back into canter and a couple of strides later jumping a fence. Eventually, they’ll correct a canter lead before the transition is finished.

The big test now for my riders, is to ride the centre line, asking for alternate canter leads and identifying which lead they are on. Putting in multiple transitions within a fixed distance encourages the rider to think and assess their canter leads quicker, and react faster to correct themselves.

It’s a useful tool to have; to automatically and subconsciously feel for your trot diagonal or canter lead; you can get away with visual checking at the lower levels, but it makes it much easier to ride a higher level dressage test or unrelenting jumping course successfully.

A Sustainable Gait

Once you’ve mastered control of the basic gaits, things get harder and you have to master a range of gears in each gait. Furthermore, your horse has to develop the strength, balance and stamina to work in each gear. This was illustrated perfectly at the Pony Club Conference a couple of weeks ago.

The demo riders were riding a simulated cross country exercise; jumping a triple bar at speed to imitate jumping a simple cross country fence, before making a turn and jumping two bounce fences from a slower canter.

The first rider galloped at the triple bar, popping it easily, and slowed down a bit for the bounce, but jumped it a bit too fast really and it was only her pony’s deftness which got them over the two elements. She rode the exercise again, this time circling between the two questions until she’d collected the canter sufficiently. It took her a few circles but she really collected the canter up. She approached the bounce, but her pony refused.

The reason? Her new collected canter wasn’t sustainable. He could collect that much on the flat, but he didn’t have the impulsion and strength to jump from this canter. She rode the exercise again, and circled until she got the collection. Then she opened up the canter slightly, relaxing so that she moved up half a gear. The pony jumped the bounce beautifully. Because the canter was sustainable and the balance between collection and impulsion was right for jumping.

I thought it was a brilliant example of how the gears to your canter will vary as to whether you’re on the flat or jumping, and in relation to your horse’s level of training. For example, a horse who works at prelim level may be able to collect their canter slightly, but will struggle to have the energy and balance to jump from that slightly collected canter, whereas an elementary level horse will be able to sustain that slightly collected canter for longer and with less effort, so will be able to jump easily out of it.

I’ve already mentioned the word “sustainable” to some clients, but I think it’s a worthwhile term to bring into every day conversation. It can be a measure of development too because a canter gear will feel more sustainable as the horse improves their balance, suppleness and impulsion. We can talk about shortening or lengthening strides; feeling if the horse stays in balance, and also how long they can remain in this balance. A horse learning how to collect may only sustain collection for a couple of strides whereas a more established horse will maintain the collection for a full circuit of the arena. So add “sustainable” to your equine dictionary, and start taking it into consideration when you reflect on your horse’s work.

The Art of Repetition

I’m working with a client who’s teaching a green horse to jump. The mare is quite happy over simple crosses and uprights, so we’re at the stage that she needs to learn to read the question with simple exercises and start knowing where she’s putting her feet before we progress to more complicated shaped jumps or grids or distances. I want her to be cleverer about getting to the jump, going over, and getting away from the jump so that we create an intelligent jumper, rather one that is over reliant on her rider or one who wings it each time.

Last lesson I set up two jumps, three strides apart. Starting with poles on the floor, I had them trot then canter over the poles from each direction. I’m looking for the horse to maintain her rhythm, forwardsness and confidence towards the poles. Most green horses will alter their gait as they look cautiously and assess the question. We want a horse to be able to quickly and correctly assess the jump in question so they are best able to clear it comfortably. As she is inexperienced with poles, I’d expect her to back off the poles slightly.

This is when there’s an art to knowing how many times to repeat an exercise. I want an exercise repeated enough times that the horse and rider are confident and competent through it, but I don’t want to repeat it so that they become complacent. It’s exactly the same with flat exercises as jump exercises. I also want to repeat the exercise enough times that it proves it’s not a fluke. I went to a demo with Paul Tapner this week and his rule is that he wants an exercise performed “twice, nice” to prove the first wasn’t a fluke, and to ensure the lesson stays progressive. To an extent, I agree, but I often find a third repetition really useful for cementing the learning.

Anyway, with this mare, I wanted to repeat each stage just enough times that she proved she was happy with the question. She only needed to trot over the poles twice in each direction to become consistent from A to B. Cantering over the poles, she did it perhaps three times in total on each rein. The first time she wobbled and fell into a bit of a heap, and then she sorted her legs out.

Once I was happy with her at this stage I made the second element a cross pole. A height within her comfort zone, but the question had changed. I wasn’t looking to challenge her jumping ability, but rather her ability to judge the jump and get it right first time. I think it was a bit of a mess first time round, as she slowed to look at it, wobbled and the launched over it. The second time was better, and she got it the third.

So I changed the question, putting the first cross up. This time, her first attempt was better and she didn’t back off to study the jumps. Rinse and repeat until she understood.

Then I changed direction, and I was pleased that she reached stage two quicker and seemingly more confident.

I was rattling through the stages but without rushing the mare. Previously, we’ve repeated the exercise more times than necessary to build muscle memory, confidence and practice. Now, I wanted her to complete a task well a couple of times and then move on. But I needed her to achieve the previous stage and be confident about it before moving on otherwise she will lose confidence later on.

Once the mare had negotiated the cross poles I changed the shapes of the jumps. Making one jump an upright, then once this successfully negotiated, the other one too. Then we changed the rein and had the upright first and cross pole second. And then changed it round.

I was pleased that the mare began confidently taking her rider into each set-up, unfazed when the jumps changed. Of course, she was still green and put in the odd wobble and didn’t always get a good take off spot. But that will come as her canter develops and with future sessions to improve her straightness and rhythm. The important thing was that she wasn’t backing off the jumps when they changed.

To finish the session, I steadily built the second jump into an oxer; by putting an upright behind the cross, so that it was inviting and my rider could continue aiming for the centre easily.

I feel it’s important to teach horses to read and process simple jump exercises quickly when training them so that they learn to think for themselves and adjust their canter and bascule as appropriate. I think a horse’s ability to adapt to new jump exercises is related to their confidence, which is why I wouldn’t move onto the next phase before the horse is competent at the previous one. One horse which I ride always backs off an exercise the first time, even when the jump has only changed by a small amount. We’ve worked a lot on progressing exercises steadily and repeating the exercise twice from the off and he is less sticky the first time now, but his general confidence over jumps is also improving.

Building a horse’s confidence when jumping is related to the number of times they have repeated am exercise – it’s a big circle! And I stick to the theory that a horse needs to repeat the exercise until they have done it well two or three times, but have not started to become complacent or anticipate the exercise with detrimental effects. There’s no point mindlessly repeating an exercise with no improvement. Changing it, however slight, will keep both horse and rider thinking about the job in hand.

I Blame the Mud

Personally, I lay all blame squarely on the mud for this subject, but I have to say that I’m so proud of my clients, and pleased to have such a good bunch who listen closely to what their horse is saying and so averts a potentially expensive and time consuming treatment and rehabilitation programme.

On an aside, I’ve have several clients who have been on long term rehabilitation programmes for their horse’s injury, which in some cases their horse came to them with, and they are coming through the other side. One lady proudly told me that the physio feels that her horse no longer needs treatment to mend her long term problems, but now needs treatment to maintain her excellent muscle tone. Just like a normal horse! Another lady was told that her horse is moving well, and has better muscle tone than previously so it’s time to crack on and work him that little bit harder so that he starts to develop this muscle. I’m so pleased when I hear this positive feedback from physios. My riders are doing the right thing!

Back to my initial subject of listening to your horse. In their first lesson back after Christmas, one of my riders had a problem jumping. Her pony jumped beautifully over some smaller jumps, especially as we were working on jumping a tarpaulin. He did give a couple of bucks on landing when he basculed particularly nicely, but this isn’t uncommon for him. However, he jumped very erratically over some 90cm fences, even stopping. This is well within his comfort zone so I felt it was odd. We discussed the oddness, but he felt fine to his rider so we decided to monitor it.

The following week, I built a simple grid. If he’d lost his confidence, although I couldn’t work out why, this would help. They flew the grid at 80cm, although he wasn’t happy turning left after the grid and was marginally better with a right canter lead approach. Again, this isn’t unusual with his way of going. But as soon as I put the jump up a notch he threw in the towel. We reverted to the lower grid and just popped him through to finish on a positive note. As I couldn’t see any lameness or sign of soreness, my only suggestion was that he saw a physio or chiropractor in case he’d tweaked something and flatwork and low jumping didn’t affect it, but the extra effort of a bigger jump caused a twinge.

Anyway, she booked the Mctimoney chiropractor and just lightly rode him in the interim. I had feedback from the treatment yesterday – a slightly tilted pelvis, but more interestingly, a pulled muscle between his ribs and pelvis. Possibly due to careering around a slippery field. Which would explain everything. Thankfully, this pony doesn’t need any more treatment, just an easy week building him back up. But his refusing and erratic jumps could so easily be misinterpreted as naughty behaviour and disciplined, or ignored for a few weeks. Whereas by paying close attention to what he was telling her, my rider averted any major incident, either by his behaviour escalating so that it was dangerous, or by his injury worsening or a subsequent injury occuring from him trying to protect the pulled muscle.

Another rider had something similar just after Christmas when I noticed her horse’s right hind being slightly short in stride length, and not picking it up as much as usual. I was riding him and wasn’t happy with the trot, although I hadn’t noticed it in his walk around the tracks to warm up. He wasn’t lame to the bystander, but it wasn’t normal for this horse. I text my client to tell her and she immediately contacted her chiropractor, who came out a couple of days later and found a very sore fetlock and tight muscles all over – again, she put it down to field antics, but this time suggested that it happened because the mud is so claggy, he literally left a leg behind whilst showing off and wrenched it. But because his owner acted swiftly he only needed one treatment, and was completely recovered within a week.

So you can see why I’m blaming the mud! My final casualty to it felt off in walk when I hacked him. Not lame, although he definitely wasn’t comfortable in trot, but wobbly and uncoordinated. I reduced his work to walk only on as flat a ground as I could provide until we waited for his chiropractic appointment. By walking him out in a long and low frame he started to feel much better, more together and stronger. I did find that he was leaning on the right leg though, so much so that his winter coat was rubbing off with friction. Initially I thought it was something I was doing (moving my leg excessively etc) but after paying close attention to the matter, I felt that he was pushing right as he walked, so pushing into my right leg. His treatment showed very tight, sore muscles over his hindquarters and lumbar area, which ties in with slipping in the field. Hopefully he won’t do anymore field acrobatics, and I can start to build him up again, although I’ll be limited with the lack of dry bridleways!

I actually feel very grateful to have clients who pay so much attention to changes in their horse’s behaviour and try to find out why before labelling the behaviour as naughty. I’m equally grateful that they respect my opinion, based on observations and feelings from the saddle. Of course, I’m not an expert in this area but I like to think that I know these horses well enough, and have a good relationship with their owners, that when they aren’t themselves yet look normal from a distance, we can have a conversation about the different possible causes (be it back, saddle, bridle, teeth, feet) and can investigate them. Then between us we can nip any issues in the bud, get them treated before secondary problems develop, and with the minimal disruption to their activity plan.

Containing The Excitement

I’m working separately with two teenagers at the moment to try to retrain their (funnily enough, both) mares so that their jumping isn’t so fast and furious. Both horses are experienced jumpers, but very quick in the air, and very fast on the approach.

Now, I don’t think you’re ever going to completely change a horse’s way of jumping, in that some have more scope than others, some prefer a slower, more collected canter approach, and others like the leg applied on take-off more than others, and so on. However, correct training can enhance a horse’s jumping technique, and there are lots of exercises to help correct undesirable jumping behaviours. I don’t expect either horse to stop being forwards to a fence, but I aim to have them politer and steadier on the approach so that it is safer and less hair-raising for their riders.

With one mare, I started off with a pole on the ground between two wings and incorporated it into their warm up. I had my rider walk and trot over the pole, using it within circles, and basically doing flatwork around the pole, going over it every so often calmly, and when it’s least expected. This takes away the novelty factor of jumping and poles, and reduces the amount of repetition and so stops her anticipating jumping.

Initially, she made quite a thing about the pole, jumping it and cantering off. So we repeated the calm and quiet approach, with my rider staying positive but neutral. She just went with the pony over the jump before calmly slowing her down. Then there was no negative connotation between the rider and the jump.

What I liked about this mare, and I don’t know her very well, was that she was very obedient to her rider’s downward aids. She was happy to let her rider influence her. I did think that her jumping was almost a bit panicked, so I hope that by slowing her down she learns to read and understand the question, so begin to enjoy jumping more. The important thing though, is that she was willing to work with her rider, and seems to become steadier each time.

I built the jump up slowly, and we focused on my rider aiming to trot the approach to the jump by half halting strongly until a couple of strides out when the hand is softened and the seat and leg tells the horse to go and jump. After the jump, my rider had to sit up quickly and ask the pony to come back to trot.

We varied this basic approach by using circles on the approach, transitions to walk (a good exercise was trotting towards the pole on the ground, walking over the pole, and trotting away), and varying the length of the approach. She started to listen to her rider and stayed in trot until a couple of strides off the jump, and was fairly quick to trot again after the jump. I emphasised to her rider that she shouldn’t interfere on the last couple of strides so that her pony could sort her legs out. The pony should be at the tempo and rhythm set by her rider on the approach and getaway, but ultimately they have to jump the jump so shouldn’t be hindered.

The other mare will jump an exercise very calmly the first time, but then she gets over excited and gets quicker and quicker. So I change the exercise promptly, only doing each level once or twice – making a cross an upright, or changing the rein, adding in another element etc. And my rider tries to keep the trot and rides a circle or two, or three, on the approach until the mare stops anticipating the jump. The circle shouldn’t be too close to the jump that the pony thinks she is being pulled out of the jump, and it should be planned by the rider. Using a combination of changing the exercise and using numerous circles on the approach we managed to get a steadier approach, but there was a fine balance between containing the excitement and not frustrating this mare as she then has the tendency to explode and go even faster to the jump!

With both mares, I’ve found that avoiding simple jumps helps slow them down and get them thinking about the obstacles. This week, I built a grid of one pole and a canter stride to a small upright, then one canter stride to a cross. I had my rider walk over the first pole, then ride forwards to the little upright. I was really pleased that the pony walked happily over the pole and my rider could then ride positively to the jumps, instead of having to restrain the mare. We only did this grid twice because she jumped it so calmly and quietly. I want to build up to trotting over the first pole and then calmly cantering the grid.

When working with a horse who tends to rush fences it’s important that the rider has an unflappable demeanour, and a strong core so that they can hold the horse together before and after jumps, yet calmly stay in balance over the fence and don’t pull the horse in the mouth or get left behind in the air.

It can be difficult to retrain a horse to jump, but with a consistent approach of calm, quiet riding and using a variety of approaches to keep the horse focused on their rider and not rushing to the jumps. I also find that not repeating exercises too often, and returning to flatwork for a few minutes between jumps to resettle the horse has beneficial effects. As a horse starts to slow down and keep a more rhythmical approach to a jump their bascule will improve as well, which will help improve their posture and muscle tone, so making their jumping easier and prolonging their working life.

Finding the Problem

When you have an undesirable behaviour in the horse, such as refusing jumps, napping etc it can be so difficult to find the cause.

Once a horse has had their saddles, feet, legs, backs, teeth checked for ill fit or injury, very often the unwanted behaviour is labelled as a ‘behavioural problem’ and has very negative connotations. All to often I see aggressive reactions to the unwanted behaviour, which often compounds the problem.

Once you’ve identified that there’s no physical cause for a behaviour then it’s a matter of understanding the horse’s mental state. Horses react to the current situation, they don’t plan in advance to cause trouble or refuse to comply with their rider. An interesting article went round social media last week which explained this well – take a look here.

So if you have a behaviour, such as napping or rearing, and you’ve found the underlying cause to be an injury or poorly fitting saddle; you’ve fixed the physical cause, but your horse still naps, then it is caused by their mental state and in order to correct the behaviour you need to get inside their head and do it slowly.

I’ve just started working with a horse who started refusing or grinding to a halt before a fence and cat leaping it. After some weeks of troublesome jumping, a small injury was diagnosed and he was subsequently rested and then brought back into work. However, his behaviour whilst jumping continued.

Unfortunately, he can’t speak English and tell us the problem, but we can listen and respond to his body language. I believe that the horse had pain association with jumping, because of the injury, and then because he was cat leaping he wasn’t comfortable jumping, regardless of the fact his injury had healed. Whilst he had his injury, he’d have had a physical limitation when jumping, and if faced with jumps beyond this ability (even if they were within his usual ability) he would have lost confidence in both himself and his rider. This creates a vicious cycle of him not wanting to jump, despite the fact he has been given a clean bill of health.

Because he hasn’t wanted to jump, he’s become rather backwards thinking on the flat, so the first thing I did when I rode him was get him thinking forwards. I’ve given him very light hands, to support him as necessary, but in no way acting as a handbrake. Every transition has prioritised over him responding to the aids, and going forwards, even if his head isn’t in the ideal position. I want him to move his body as required in order to do the requested movement so that he realises that it doesn’t hurt and that he can do it. We can tweak movements in the future to improve his way of going.

This week, to help his jumping, we used canter poles to encourage the canter to stay forwards, and then once he was taking me into the poles, we added a jump to the end of the poles. The jump wasn’t too small that he would trip over it, nor was it too big to be outside his comfort zone. The poles kept the canter forwards, regulated his stride and positioned the horse in the correct place to take off. This would give the horse some positive experiences over the jump, so rebuilding his confidence and ensuring he didn’t have any twinges from jumping awkwardly. As the horse became bolder, I lengthened the poles so that he wasn’t quite so close to the jump on take off. Starting with the poles closer than ideal and lengthening the distances slowly stopped the horse even thinking about chipping in before the jump.

Once he was confident in cantering three poles to a jump with no strides between, I removed the third pole, so that the two poles set up his canter, and he just had to keep the momentum going for one stride before the jump. We repeated this work off both reins, until I felt he’d done enough. He needed a certain amount of repetition to build good associations with jumping, but not so many that he became tired and be more likely to falter.

Next time, the plan is to build a simple related distance. There will be two poles on the approach to the first jump, as we’ve already done, which will put him in a good canter and give him a good jump over the first element. Then he has to maintain that canter for two strides before the second jump. Then we’ll increase it to three strides between the two jumps, then four and so on. The purpose of this is so that he learns to jump the single fence without poles to help, but by setting him up at the beginning with poles we can ensure he isn’t likely to fail or back off the jump. Again, the jumps won’t be big, but I may make them uprights instead of cross poles to give him something else to think about. Not having them high means that as well as not having any pain association from jumping awkwardly, his injured leg will get stronger and hopefully he’ll stop anticipating any pain from that site. Then we’ll continue along this theme with other grid work type exercises until he doesn’t have negative associations with jumping, and is confident in his own ability again.

With any “behavioural” problem I think it’s best to identify the triggers for the behaviour and then work on calmly and quietly giving your horse a few positive experiences so that the habit is broken, and they begin to build trust in their rider and themselves in that situation, then you can adjust the situation; for example if your horse naps at a particular spot out hacking on their own, ride, long line or lead past the spot in company until they have had some good experiences there, before perhaps riding first past that spot in a group instead of following their friend, and then venture there on your own. Strip back the environment/activity and provide emotional support from your horse from others, people on the ground, anything, and then as the event becomes calmer and stress-free, take away their support slowly as they become more confident and less reactive to that set of triggers.

Teaching a Range of Abilities

One thing being a Pony Club instructor teaches you is to think on your feet and teach multiple abilities in one lesson.This is what happened to me today. Although, I did have the advantage of knowing most of the children and having been briefed on them all a couple of days in advance so I could make a plan.

The secret, I think, to managing multiple abilities in one group, is to have a layered lesson plan. This means that there is something for each rider to do or learn. For the lower level riders part of the content will go straight over their head. And for the more able, some will be revision. But you can keep them involved by asking them to demonstrate or explain to the others.

Today’s ride consisted of one fairly confident rider, jumping 60-70cm, a more nervous jockey on her new pony currently jumping 50cm. A very nervous rider jumping 40cm, and two young brothers – one just off the lead rein in walk and trot.

I put four yellow cones in the corners of the arena, to ensure none of them were cutting their corners. The older ones needed the odd reminder when they got complacent, and the younger ones liked having a visual point to steer round.

They all warmed up as a ride, with the led pony at the back so that they could walk before his leader went into cardiac arrest. They could also cut the corners and stand in the middle to rest without disrupting the flow of the ride. Whilst they trotted I made individual positional corrections, and then I started teaching them to turn with their shoulders and look where they are going more. They had to imagine there were headlights on their shoulders and they had to light up the track in front of the pony. This is something even the youngest could grasp. I asked the more experienced ones which direction was easier to turn so that they started thinking about their riding and could make their own improvements. Of course, I asked the youngest two too so that they felt included, and as I think it’s important to encourage a flow of conversation. The fact that they picked left or right at random was neither here nor there. They spoke to me, and felt part of the lesson which was the important part.

They cantered individually. The older three trotted circles before the canter, the boys were led. Canter wasn’t the main focus of the lesson, and working individually meant I could tailor it to suit everyone whilst remaining safe. If I hadn’t cantered the more advanced three would have felt short changed.

Jumping is where it gets tricky to manage different heights, so I laid out two exercises. On the three quarter line I put three fences, and put a pair of cones on the approach, getaway, and between each jump. This was to focus the riders on steering straight throughout the exercise.

On the centre line I laid three trot poles, then a fairly big gap, before a jump. Again, with cones to help them stay straight.

The trio of jumps were for the more competent jumpers, whilst the trot pole formation was for the lead rein and nervous ones.

My instructions and aims were the same, but I could build the jumps up to accommodate the two groups. The hardest part for everyone was steering straight after the jumps, and my poor cones got some battering there. Because we had the focus of the jumping on their steering the height of the jumps became irrelevant.

The three jumps were used for the two riders jumping over 50cm. For the final go, I left it so the girl on her new pony could have a more confident turn and ended on a positive note, before putting it up a bit higher for the more able rider on her last turn.

My very nervous rider started off confident and trying to keep up with her friends, going over the warm up three, but as they got bigger she diverted to the other set up. Which was fine; she didn’t feel belittled because she’d chosen the smaller exercise, yet was happy that she’d been comfortable enough to try the bigger exercise.

The trotting poles were aimed at the younger boys; the poles tested their balance and the jump was minute so they could start moving their hands forwards over the fence before we develop their jumping position. The ponies just trotted through, but the boys liked having a different shaped pole to go over.

I think all the children took away the same points from the lesson; such as turning their shoulders in the direction of movement, and the importance of steering straight when jumping. Sure, the little ones were only be following my directions without really understanding the concept, whereas the older riders were starting to grasp the theory and can now begin to apply it at home by themselves. The cones gave them all instant feedback; the older ones cringed when they knocked a cone over, realising they needed to work harder to maintain straightness. The younger ones just grinned and giggled as they trotted between the cones with the help of their leaders and hopefully they will remember riding between cones in the future for when they’re taking more ownership of their riding.

Developing layered lesson plans definitely takes practice, and they’re not the easiest to deliver, but they’re the most rewarding when you have so many happy and satisfied riders and parents.